The Upside-down Cupcake

The upside-down cupcake, a hot-cross bun, a ball of mud - some of the descriptive names given to the Solomon R Guggenheim Museum during the planning and construction phases of the building in the 1940s and 50s. It took a while for New Yorkers to accept the Frank Lloyd Wright design, but once it was opened in 1959 it was quickly embraced as a NYC landmark, and became the iconic symbol it is today. The white concrete building remains a testament to Wright's vision and is the most interesting exhibit in a repititous and occasionally boring show Frank Lloyd Wright: From Within Outward.
All his major works are represented here: plans, blueprints and architectural drawings in abundance; but also too small scale models, too little information, too many renderings of the same building. It looked like the first stage of planning the project rather than a polished exhibition. More deconstructed models, like the Herbert Jacobs House, built on a greater scale would have held my attention, as would bigger artists' representations of projects that were never realised, like the Plan for Greater Baghdad. The show felt flat, and without any wow factor this visitor would have left disappointed except for the saving grace of the fabulous exhibition space, within


- and without.

Frank Lloyd Wright: From Within Outward runs at The Guggenheim New York until August 23 2009; I found I got all I needed from the museum website. I can also highly recommend the book Frank Lloyd Wright Interactive Portfolio by Margo Stipe: it's detailed, informative and celebratory in a way the Guggenheim show should have been.